Skip to main content

REVIEW: The Growlers live at The Albert Hall (22.02.20)

Where do I start? I'd heard many things about The Growlers live, particularly Brooks Nielsen's vocals not being as good live as they should be. With this in mind, I had my expectations lower than they should've been before I had even entered The Albert Hall. Little did I know that they would go on to be my favourite live performance I've ever seen; which is quite an achievement, given that I've seen over fifty artists.

In 2018 I had the pleasure of seeing Arctic Monkeys live and, in my opinion, The Growlers made them seem like nothing. However, I think the difference in venues had a big fixture in the way they both sounded; considering Albert Hall can hold 2,500 people and FlyDSA Arena can hold 13,600 in comparison. If Arctic Monkeys had played Albert Hall - not the Royal one - they would've blown me away too. Whilst they were still incredible, something about being a few rows away from the stage at The Growlers just changed the atmosphere completely for me.

Something that I really liked about this particular show was that The Growlers decided to not have a single support act. It was just them throughout the entire night, providing us with two hours and a half (which is 26 songs, plus somebody's request for Dull Boy) of incredible entertainment.

They started the night off with the cleverly-written ‘Heaven In Hell’ off of their 2018 album ‘Casual Acquaintances,’ which features a plethora of songs that didn’t make it onto their album ‘City Club’ (released in 2016). The first thing I noticed was how they managed to bring everybody together with their carefree spirit and started the night off phenomenally with their choice of introduction. They worked their way effortlessly through a set list, including stand out songs such as; Problems III, Love Test, Someday, Black Memories, One Million Lovers, Empty Bones, Who Loves The Scum? and many others.

Personally, a highlight for me was when they came back and played I’ll Be Around without a single hiccup. I was sure they weren’t going to play it so, when they came back and surprised everyone with it, it was definitely one to remember.

I’ve never been to a gig where they hadn’t opted for support acts until this one and I’m actually incredibly thankful that they chose to do that. This meant we were all treated to far more of The Growlers’ catalogue, enough to make up for never having seen them before then. If you ever get the chance to see them live, make sure you don’t miss out. This was beyond one of the best gigs I have ever been to and will remain one for a very long time, hopefully till I get the opportunity to see them again.


Listen to The Growlers on Spotify.

Comments

Popular posts from this blog

12 Artists in 2021

May it be artists you already know and love that are gearing up to release a much anticipated album, an artist you've yet to delve into but have heard plenty about, or an artist whom you have never heard of before, this list should - and hopefully will - be an accumulation of the sorts.  This past year has been, well, a shit one and it's only getting worse as 2021 gets into full flow. Throughout the dark, dreary and lonesome days of 2020 there has been one constant, and that is the music we have been treated to in light of such a devastating time. With some spectacular albums from many different artists, to comebacks, and to albums that provided us with some light-hearted entertainment, it leaves a lot for 2021 to live up to. With the recent dismissal of the arts from the Government (obviously, the Tories have never consumed a bit of media in their life and, when Matt Hancock said he listened to Grime , that was clearly nothing but a fabrication) and the recent Brexit revelatio...

10 Best Albums of 2020

We can all agree that 2020 has been a tumultuous journey from beginning to end, never failing to provide one disappointment after the other. Seemingly, the only rewarding thing about 2020 has been the music made in lockdown, the albums we've been blessed with or, for some people, it's Taylor Swift releasing not one but two full-length albums this year. Musicians have been unable to perform live, meaning The Night Cafe's 2019 tour is set to take place in 2030 if they're lucky.  I'll have to admit, I've been a bit behind. It'll take me a good few months to sit down and properly listen to an album unless a miracle happens and I listen to it the day it's released. You'll notice that the likes of Phoebe Bridgers and Rina Sawayama aren't on here and, it isn't because I'm not a fan, I'm just the worst kind of procrastinator. I'm sure all of your favourites deserve a spot on here, so I'm going to cement my apology before I continue.  ...

Black Country, New Road release highly anticipated debut album 'For the first time'

  Black Country, New Road start off their highly anticipated debut album with an instrumental that sets the tone for the rest of the songs. The track is nothing but effortless; alike puff pastry with its copious layers you’re left struggling to count, and sounding like something soundtracking a Damien Chazelle film.  For the first time , the newest offering from a promising young band (with 7 very good, very talented members), is bound to be divisive — I mean, you can’t please everyone . With the band being compared to acts who don’t fit into any given genre, thus being packed into a box together to form some sort of ‘odd one out’ sound, such as the likes of Squid , black midi , and Girl Band , they’ve become the genre most would describe as simply ‘weird’. What else do you use to describe a band who seamlessly blur the lines between the genres they’re being told they belong to? Sure, they’re a fusion of post-punk and whatever else people brand them as but, for me, they’re a...