OK, so hear us out... we moved on the 8th March but we've been so busy we forgot to let you know what's occurring. Well, exciting things are happening over on our flashy new site that's, like, ten times better—we promise! I'll never forget what drove me to create this little blog at 15 in the hopes I could one day write for DIY or the NME, and my morals will always stay the same. Since we made the big move into professionalism, we've been backlogged with music submissions, over 100 applications to write for us, and an overwhelming amount of support I never expected in a million years. It's funny what life throws at you when you work incredibly hard. We have a logo now; a team; almost 700 followers on Instagram; 4k unique visitors to the new website. Things that, if you had told me them 6 years ago, I'd have laughed at you. I didn't believe I could do these things and, yet, here I am doing them. Achieving everything 15, 16, 17, 18, 19, and 20 years o
Following up from their debut single, Carmen Jones , released last year and accumulating just over 1,600 streams, the Bristol rockers have shaken up the system with their latest release Memorial , a cacophony of orchestral sounds mixed with progressive influence. Photo: Amia Watling With a sound reminiscent of Slint and a hint of Nine Inch Nails , HAAL is a band that wouldn’t sound out of place soundtracking a David Fincher m ovie . Memorial is a track that creeps up on you and rewards you for your patience. Even more rewarding is the wall of distortion in the climax of the song, ending the song in beautiful grandness. There is evidence of the band's knowledge of music theory in their clever usage of dissonance, a complex time signature, and a complex structure so tasteful that if it was plated up in the Masterchef final, it would be more tear-jerking than getting a 7 from Anthony Fantano. The math-rock influence is unmistakable; beginning with the introduction of the drums wh